Anna Fleischle



Geboren in München. Studierte Theaterdesign am Central Saint Martins College of Art & Design in London und arbeitet als Bühnen- und Kostümbildnerin.

Theatre Includes:
A Kind Of People, The Kid Stays in the Picture (& Complicité), Hangmen (& West End) and Liberian Girl (Royal Court); Death of a Salesman (Young Vic/West End); Hedda Tesman (Chichester Festival); Two Ladies, A German Life, A Very Very Very Dark Matter (Bridge); Home I’m Darling (2019 OLIVIER AWARD NOMINEE FOR BEST SET DESIGN AND BEST COSTUME DESIGN.Theatr Clwyd/National/West End.); The Writer, Before the Party (Almeida); The Way of the World (Donmar);Everybody’s Talking About Jamie (Crucible, Sheffield/West End); Much Ado About Nothing, Troilus & Cressida (Globe); Rosencrantz & Guildenstern Are Dead (Old Vic); Beware of Pity (Schaubühne, Berlin/Complicité); Tiger Bay (Wales Millennium Centre/Cape Town Opera); Terror (Lyric, Hammersmith); Don Juan in Soho (West End); Rent: 20th Anniversary Production (St James/Theatr Clwyd/UK tour); The Exorcist(Birmingham Rep/West End/UK tour); The Two Noble Kinsmen, Cymbeline, Love’s Sacrifice (RSC); Henry V(Regent’s Park Open Air); Before I Leave (National Theatre Wales); The End of Longing (West End); John (National/DV8); West Side Story, Blindsided, Saturday Night & Sunday Morning, Rat’s Tales (Royal Exchange, Manchester); Can We Talk About This (National/DV8/International tour/Sydney Opera House); Love the Sinner (National); As You Like It (Curve, Leicester); You Can See the Hills, Love & Money (2007 OLIVIER AWARD NOMINEE FOR OUTSTANDING ACHIEVEMENT IN AFFILIATE THEATRE. Royal Exchange, Manchester/Young Vic)

Opera includes:
Weimar Nightfall: Seven Deadly Sins (LA Philharmonic); Don Giovanni, Iphigenie en Tauride, Paul Bunyan, King Priam (English Touring Opera);Candide (Opéra National de Lorraine); Zaide (Sadler’s Wells/Classical Opera Company/UK tour)

Dance includes:
Message in a Bottle (Sadler’s Wells); Second Coming (Scottish Dance Theatre)

Awards include:
Olivier Award for Best Set Design (2016), Critics’ Circle Best Design Award (2015) and Evening Standard Award for Best Design (2015) (HANGMEN)
Olivier Award for Outstanding Achievement in Opera (2014) (KING PRIAM)